In terms of initiation, the eighties rules. Despite the garish technicolour, the empire sleeves, the culottes and the pantaloons, the decade had a regal bearing, one that crashed in with force and would leave its mark for years to come. With this tsunamic wave swept in the making of an industry in Pakistan and when the tide retreated, it left behind the ultimate diva: ATIYA KHAN. As a model Atiya allowed a free imaginative interaction with the clothes she wore. She was versatile, unorthodox and unpredictable, retiring at an unforgivably young age of 21 to explore more stimulating pastures. As an ad-film maker, Atiya was a disciple, learning on the job, allowing her creative prowess to unleash a freedom, which had been stifled in the world of modeling. But it wasn’t long before film-making too reached a point of saturation and she abandoned the career without a second thought, substituting it with the more challenging role of motherhood. Atiya’s recent comeback as a model, member of the fashion fraternity and as a research analyst on Sufism proves that time has lent her a diversity without diminishing her panache.