Pop music is rapidly taking over the Pakistani music scene, despite the moral brigade and diktats of the clergy. “Pop, along with soft rock, is growing in popularity. It has developed in a very short span of time and shows more promise than even Indian pop music,” claims Saadia, 19, a student of business studies. Most of the songs are in Urdu set to western music. There is a lot of talent coming here. Music experts say there are about 15 established music bands and a dozen pop music stars in Pakistan today.
A far cry, all agree, from the early 1980s, when during President Zia-ul-Haq’s regime, listening to or creating pop music was aggressively discouraged. However, after the Music ‘89 show, aired on the government-owned Pakistan Television (PTV), who was also the official sponsors, things appeared to change. At the show, 30-somethings danced to the music of the then pop idols - Nazia and Zoheb Hassan, Ali Azmat and bands like the Vital Signs.
EP’s first release was reputed to be filled with weird electronic sounds, synthesizer magic and the poppish guitar-driven anthems, long before the album saw the light of day or the introspective title Irtiqa was associated with this ambitious effort. With all the hype surrounding the album, Irtiqa is certainly one of the albums that Pakistani aficionados have anxiously been waiting for. Now, living up to all the hype and expectations, I imagine, is probably one of the band’s prime concerns. The album does deliver. Ambition and dedication is clearly visible or audible, rather, amidst the rising and falling of synthesized crescendos, aggressive alternative rock guitars and the meticulously crafted and programmed drums.
When Tausiq Haider, compere, stepped on stage to announce the next entry for the Maadr-e-Millat Train Launching ceremony, held on Independence Day, no body expected the news he was giving. Junaid Jamshed, sporting an ever growing beard, was going to perform for the last time onstage in Pakistan.