Two years ago Arooj Aftab was a middle-class Pakistani teenager living her life according to plan: She was working studiously under the watchful gaze of her parents to finish a two-year advanced-level degree in math and economics, and planning a sensible career in accounting.
At the same time, Aftab was pursuing an interest that was not at all part of the well-established cultural framework. She was teaching herself to play the guitar. As if this weren’t radical enough, Aftab began writing her own songs. Forbidden by her father to enter a …