Ali Azmat’s latest offering Social Circus has firmly reaffirmed Ali Azmat as the king of Rock n’ roll in Pakistan. Breaking away from the traditional aura of Junoon, Ali has gone all guns blazing in this latest offering of varied moods and personal life experiences. In fact it seems that Ali has tried hard to stay away from traditional Junoon territory and in doing has fallen flat on its face with glaring moments of mediocrity. However, the major portion of Social Circus stands out as original and inspiring musical extravaganza.

Few, dare to be different. Especially, in an extremely conservative society. Even fewer, find acclaim in doing so. She’s one of them. Nabila. Rebellious and revolutionary. Known for defying conventions, Nabila’s ventured into uncharted terrain and walked her way to victory as Pakistan’s top hair stylist and make-up artist. Today, she’s a name well-regarded in the international fashion scene for her unique work.

For a person whose made her mark in the make-up business over an impressive 20 years, Nabila comes across as rather soft-spoken and unassuming. Pride is a thing that’s not on her palette. A rare virtue in the world of high-fashion, where people wear ego on their sleeve. She allows her work to speak for her. Work that’s visionary, and challenges all that’s in vogue. An attitude, that’s way ahead of times.

The lead vocalist of Junoon - a radical rock band of the last decade, Ali Azmat, has launched his first solo album titled ‘Social Circus’. The album is released by Sadaf Stereo.

Addressing a press conference at the Karachi Press Club on Thursday, Ali Azmat who is famous for his vocal powers and stage performance, said he had been planning to launch this album since the release of Junoon’s last album, Deewar - a flop album as compared to the band’s earlier ones.

Describing his album’s theme, he said it was a personal expression — a kind in which philosophical moods and thematically expressed events of his life are included.

Ali Azmat was all set to act in Mahesh Bhatt’s Rog last year, but the Indian government denied him a visa. When asked why, Azmat calmly shrugs and says with a devious smile, ‘‘I don’t know why—there’s no because.’’ Maybe that’s why he doesn’t care much about acting these days. Currently in the city to promote his first solo album, Social Circus, the shiny-headed, irreverent and utterly candid former lead singer of Junoon says he actually quit acting seven years ago. ‘‘I’m not going to wait around for five hours for the female lead to show up.’’

Name: Salman Saquib a.k.a Mani

Date of Birth: 23/03/1978

Place of Birth: Karachi.

Education: B.Com from Govt. Commerce College, Karachi.

Hobbies: Personalities usually watch TV programs. I watch sports in my spare time and I also play along with the showbiz team.

Other Occupations: Well this is my bread and butter…. If you are fit in this profession you can more than a CA or an MBA.

What do you think about your job?

It’s cool.

Would you encourage others to take up this job?

Pop music is rapidly taking over the Pakistani music scene, despite the moral brigade and diktats of the clergy. “Pop, along with soft rock, is growing in popularity. It has developed in a very short span of time and shows more promise than even Indian pop music,” claims Saadia, 19, a student of business studies. Most of the songs are in Urdu set to western music. There is a lot of talent coming here. Music experts say there are about 15 established music bands and a dozen pop music stars in Pakistan today.

A far cry, all agree, from the early 1980s, when during President Zia-ul-Haq’s regime, listening to or creating pop music was aggressively discouraged. However, after the Music ‘89 show, aired on the government-owned Pakistan Television (PTV), who was also the official sponsors, things appeared to change. At the show, 30-somethings danced to the music of the then pop idols - Nazia and Zoheb Hassan, Ali Azmat and bands like the Vital Signs.

It appears as if the floodgates have been opened for foreign entertainment and news channels. The last couple of years have seen an invasion by cable channels, which can be seen wherever you go, from restaurants and homes to shops. This is all part of the phenomenon called ‘globalisation’. Pakistani viewers, noticeably, are losing interest in local channels because of the glitz and glamor of the foreign media. It is easy to see that the majority of images beaming out of television sets are of foreign films and shows. Viewers countrywide prefer Indian music, films and Hollywood flicks and this has resulted in the local channels being relegated to the background.

Fuzon is riding the high wave. They have just bagged the Indus Music ‘Best Composer’ and ‘Best Ballad Song’ awards. The band takes time out to share their views with world Music Chief Editor ARSHAD MAHMUD and his team in this wide-ranging interview.

Arshad Mahmud: One remembers watching each one of your working independently. What brought you together as a band?
Shallum: I and Imran had been working together for about eight years. We live in the same vicinity in PECHS - and we knew each other very well. Immu also used to meet Shafqat off and on. Then Shafqat Bahi’s album was also running in those days. Immu and I had been talking for a long time about doing something different. One day Shafqat met Immu and then they called me over, saying let’s sit together and start working on something as a unit and not as individuals. That was the day when things started moving.

From being heralded as Asia’s biggest rock act that redefined Sufi rock, Junoon has come a long way. The band that was applauded by U2’s Bono for their efforts at propagating world peace, is finally taking a break, what with all its members concentrating on their solo careers.

“The band has not split, but yes, we are concentrating on our solo careers,” is how Ali Azmat, the radical vocalist of Junoon, sums up the situation. “Brian left the band last year and is back in the US of A now. We were continuously on the road and he was missing his family like crazy. He was always talking about his kids and how he missed being with them. He went into depression and we would often find him crying inconsolably. There was no other option but to let him go,” he adds.

For a quiet man, Asim Reza has a lot to say. His work speaks for him, whether in the mythical setting of an advertisement or in the documentation of a dancer’s synchronized footwork. The quest for artistic greatness influences his life and though he doesn’t blow the trumpet on his own work, it shouts for itself. But when credits are mismatched and his achievements ignored, Asim becomes verbose. He turns away from his creative pursuit very briefly, and lodges his displeasure in minimum words, careful not to contaminate his creativity in the process.