December 12th, 2004
Incidentally, the two contemporaries – Khursheed Anwar and Sajjad Hussain – were not only appreciative of each other’s work but had many similar traits as well. Both were highly temperamental, believed in purity of the indigenous music, could not tolerate any interference in their work and had generally a ‘who cares’ kind of attitude towards their career. As a result, both ended up doing much fewer films than the offers they actually received.
Tags: A.R Kardar, Aahange-e-Khusravi, Akhtari Bai Faizabadi, Anil Biswas, Begum Akhtar, Chingaari, EMI, G.M Durrani, Ghunghar, Gohar Sultan, HMV, Humraaz, Indian Civil Service, K.L Saigal, Khemchand Prakash, Khursheed Anwar, Madhubala, Malika Pukhraaj, Mianwali, Naushad, Noor Jehan, Pagdandi, Parwaana, Prithvi Raj Kapoor, Rassolan Bai, Sajjad Hussain, Shabnam Kyon Neer Bahaaye, Shobhana Samrath, Singhaar, Sitaar, Suraiyya, Ustaad Tawakkal Husain Khan
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