Yousaf Salahuddin’s Haveli oozes cultural magnificence on this cold wintry evening. An unassuming façade, which could easily be missed from the road, opens into a wonderland of history and tradition. Cradled in the glory of the brilliantly lit-up Fort, it basks in the wonders of two worlds: the traditional, which encourages the use of old oil lamps in a power breakdown as opposed to a generator and the modern, which inspires him to build a comfortable living area in his bedroom and bathroom both. His rooftop springs color for Basant and his basement has become the breeding ground for many well-known musicians today. His courtyard is open to public, whether to host a mohallah wedding or shoot a Zille Huma music video. And he’s incomparable as a host, the courtyard becoming an impressive welcome mat to dignitaries from all over the world-Mick Jagger, Madhu Jaffery, Aamir Khan and Boney M included. Yousaf has led many celebrities to stardom, especially musicians and though he as won a bit of inevitable infamy on the way, it wouldn’t be wrong to say that Mian Salli embodies the Power of One.

When the late legendary qawwali master Nusrat Fateh Ali Khan first sang in the United States, his concerts weren’t so different from those he performed in his native Pakistan.

With ecstatic and hypnotic improvised songs based in the ancient poetry of Sufism, the mystic tradition of Islam, Khan electrified audiences for up to five hours. He died in 1997 at the age of 49.

“We had to start cutting performances shorter for people who don’t understand the languages of the music (Farsi, Urdu and Punjabi),” said Rachid Din, who was Khan’s manager and now works with the next generation in Qawwali: Rizwan-Muazzam Qawwali.